The
Testament of Mary
Colm Toibin
There are more portraits of the Virgin Mary than of any other
woman in the world and all of them portray her as passive and submissive. Colm Toibin has written a book about a
different Mary, one who is resentful, defiant, broken-hearted, lonely and
guilt-ridden. No wonder it is
controversial.
Mary’s darling son, the joy of her life, has given up his job
and taken to roaming the countryside, disturbing the peace with a band of grown
hobbledehoys. When she meets him at a
wedding in Cana, he says to her, “Woman, what have I to do with you?” How is a
mother to feel?
This is Mary’s version of events, not a gospel, because Toibin
thinks that she did not believe that Jesus was the son of God. He was her beloved son and he moved away from
her. She watched him tortured and killed
on a cross and she had to flee her home and die in a foreign land because of
the persecution of his followers. Even
though the disciples now tell her that Jesus has saved the world, she retains
the image of her son’s tragic death and she says, “It was not worth it.”
As Toibin recreates the time, the culture and Mary’s state of
mind, he changes some events as they are traditionally told. He thinks that the bloodlust of the crowd at
the cross would have made it unsafe for Mary and the other women to stay with Jesus
until the end. He also takes a new look
at the miracles that took place close to Nazareth, which Mary would have known
about. At the wedding in Cana, why did
the host run out of wine? Because there
were so many uninvited guests, the followers of Jesus. It behooved Jesus to rescue the host from his
embarrassment. The family of Lazarus
were good friends of Mary’s family.
Jesus was too busy preaching to come to the bedside of Lazarus, his
childhood friend who was suffering, according to Toibin, from intolerable
headaches. When Jesus raised his friend
from death, the pains continued and furthermore, he had to deal with the
reactions of his friends. What exactly
do you say to someone who has returned from the other side?
All mothers know the pain of separation as their loving and
dependent little boys grow to be independent, unrecognizably adult men
inhabiting a different world. Mary is no
different and furthermore, she has witnessed her son’s tragic death which has
left her scarred and bitter, with no patience for the men who encouraged his
intransigence.
We know that after Jesus’ death, it took the disciples, with
help from Paul, some years to make sense of his life and teaching. Christian orthodoxy says that these men were
inspired. Toibin suggests that not all
of their conclusions were based on the truth as Mary saw it.
Reviews of this book vary greatly depending on reviewers’
Christian beliefs. The most critical don’t
even acknowledge Toibin’s sensitivity and fine writing. They do not mention the consistency of Mary’s
voice, the urgent flow of the storytelling or the perception of the characters. I would like to hear more discussion about
Marcus, a cousin of Mary’s who seeks her out in order to betray her. To me, this is an unbelievable scenario which
is not fully explained.
To those of us who have been over-exposed to sentimental
Christmas cards and Great Master’s paintings in churches and museums, all of
which serve to manipulate Mary into a model of female behaviour according to a patriarchal
society, much of the thesis of this book is refreshing. It is clever, original and well-written, but
there is no doubt that Toibin takes delight in stirring up controversy and
challenging the androcentrism of Christian teaching.
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